The Limits of Language in Heart of Darkness Essay -- Literary Analysis

The Limits of Language in Heart of DarknessFrom the very beginning of Heart of Darkness, Joseph Conrad traps us in a complex play of language, where eloquence is little more than a tool to obscure horrific moral shortcomings. Hazy, absurd descriptions, frame memorials, and a surreal sense of Saussurean morphological linguistics create distance from an ever-elusive center, to show that language is incapable of adequately or directly revealing truth. Understanding instead occurs in the margins and a yen the edges of the narrative the meaning of a story is not inside like a kernel barely outside, enveloping the tale which brought it out only as a glow brings out a haze (105).The title of the novel is itself misleading, because Conrad purposely leads us around understanding rather than directly to its heart, always hinting at something that, it seems, cannot be expressed. En route to the biggest...most blank space on the map of his youth, Marlow muses My isolation amongst all these m en with whom I had no point of contact, the oily and languid sea, the homogeneous sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion (108, 114). He repeats words until they are nothing but sounds, polysyllabic mouthfuls devoid of real meaning palpable, inestimable, inscrutable, impenetrable. Thick layers of images accumulate until all senses are enshrouded in mist, darkness, and distance. And yet, even in the face of the Unknowable, there is still an adamantly declared sense of understanding, however elusive or inadequate it may be. Marlow recalls that his become in the Congo, for example, seemed somehow to throw a kind of light on everything about me and into ... ...ose of the earth, according to the Saussurean linguistic theory that Conrad seems to support. There was nothing either above or below him, Marlow observes, and I knew it... I did not know whether I stood on the ground or floated in the air. In his essay, The Failure of the Imagination, James Guetti writes that in Heart of Darkness, language has meaning in terms of the exterior of experience the coast of a wilderness, the surface of a river, a mans appearance and his voice and the meaning can exist as a reality so long as one remains ignorant, deliberately or otherwise, of all that lies beyond these exteriors, of what language cannot penetrate. For with the intimation that there is something beyond verbal, and indeed, intellectual capacities, comes the realization that language is assembly (SOURCE). Perhaps this is the ultimate horror.

The Multicultural Education Essay -- essays papers

The Multicultural EducationJohn Searle addresses the major debate going on at present concerning a crisis in the teaching of the humanities. Searle, 106 He goes on to defend the canon of works by dead white males that has tralatitiously do up the curriculum of liberal arts education. I disagree with many of his arguments, and believe that multiculturalism should be taught in the university, alone this is just the tip of the iceberg. Openmindedness will earn much more than just minimal changes in curriculum. In order for works by different races and women to be judged and studied alongside works by white men, they have to be seen as equal to works by white men. They have to be studied for their literary content, not for the statement they snitch about feminism or race. We dont just accept to evaluate them by the same standards, we need to change the standards. The standards set by the traditional liberal arts education have been set by white males and are inherently biased. New standards need to be set that are as openminded as we want students to be. This is a trend that needs to be started way before college. A diverse curriculum should be taught throughout a somebodys education, because that is what will produce well rounded, openminded individuals that will change the tradition of oppression in society.Searle says, We should not be upset by the fact that a disproportionately large percentage of the major cultural achievements in our society have been made by white males. Searle, 118 To this, I say yes we should We should be embarrassed that there are people who dont see that this disproportionately large percentage is not due to the overwhelming intelligence of the white male, but to centuries of oppression. Our culture hasnt nurtured the intellectual efforts of women or minorities, their ideas and pursuits have been repressed, probably out of fear. We have a society dominated by white males, it shouldnt be surprising that literature is too. We need to change the way our society view women and minorities. Trying to do this by changing the curriculum of college students is pointless. We need to start from the beginning, with the children.Children need to be taught that they exist as a part of the world, rather than just as a part of America. If worldliness is encouraged at a younker age, it will replace the us and them mentali... ...be expanded to new ideas and cultures. University education should be an extension of, not a replacement for, grade and high school education.I think that, in general, we are on the road to a more openminded society. Children and young adults are more accepting than their parents and their grandparents, and I think if we encourage and care for this trend, it will continue on to their children. But, it is not the case in all families, and even if it were, family is only one of the influences in a childs life. As they get older, they are increasingly influenced by outside factors, such as school, the media and culture. We need to encourage children and open their minds with all the tools we have available to us as a society. Children are the ones that will make up the bulk of the influential population in twenty years. Broadening their horizons is broadening the futures horizons as well. As we change the way our society views women and minorities, as they are embraced as equals, we will start to see literary works of the same caliber, if not reform than the works encompassed by the traditional canon. Then, we will be on the road to having a more diverse university education.

A Comparison of Imprisonment in Yellow Wallpaper, Jane Eyre and Slave Girl :: compare and contrast essay examples

Imprisonment in Yellow Wallpaper, Jane Eyre and Slave Girl When I conceive of of prisons, the first thing that comes into my mind is of course locking someone up against their will or as a punishment, because someone else has decided that this is for the best or simply wants to get someone out of the way. Bertha Mason in Jane Eyre is locked up in the attic and the woman in The Yellow Wall-paper is confined to a spend home by her husband. For both these women, the locking up serves as yet another prison they are both already captives in their own bodies by their mental states. In The Yellow Wall-paper, the main character is placed in a summer home to recover from a nervous condition. Her husband John, a doctor, believes that in order to get well, she has to take a rest cure and refrain from all kinds of physical or mental exertion, and he therefore more(prenominal) or less locks her up in one of the larger rooms of the house where she has nothing to do but stare at the wallpaper and foreclose a diary. She believes to see a woman trapped behind the wallpaper and strips it off in order to set her free - this I see as how she sees herself in her confinement. Her psychological state as well as the confinement to the room, along with the gender roles and expectations of that time, all work together to make her a prisoner kept making her own decisions. The husband is the provider, the one who knows best and the one who makes the decisions and she has no way of voicing her own. She finally escapes her controlling husband and the room by finally descending into insanity. Ive got out at last, said I, in spite of you and Jane And Ive pulled off most of the paper, so you cant put me back (Gilman, p1669). Bertha Mason in Jane Eyre has, to use a slightly old-fashioned term, gone mad to such an extent that she is dangerous to both herself and to others. To get her out of the way, Mr Rochester has her locked up and he pretends that she has never existed at all. By treati ng her like an animal (putting her in a large cage), he creates a real (physical) prison with its locks and bars, and I believe that only makes matters worse, since there certainly was no way that she would ever recover up there.

Comparing the Play versus the Film of William Shakespeares Much Ado Ab

Comparing the Play versus the Film of William Shakespeargons Much bunco About Nothing?Much Ado About Nothing is a postwar love story. Its principal subject is that of romance that may settle over the land after soldiers come home. I sight that Much Ado is actually two love stories. One concerns sweetly innocent lovers who are driven apart by the plotting of enemies. The other involves truly satiric lovers who are swept into each others arms by the benign machinations of friends. I had a lot of trouble understanding the dialect, I grew up a pastoral boy and we didn?t do much of this in my 14 persons graduating class. None the less I didn?t think it was a waste of time either. It was of very good quality as far as a plot is concerned. It had evil, jealousy, lust, love, romance, comedy and of course tragedy. If I were to do it over again I would go see the picture first, the play second. I was able to understand more from the exposure than I did the play. I think that if I had do ne this I competency have got more from the play.As the good prince of Arragon, Denzel Washington did a superb job, and as Claudio, the love-struck innocent, Robert Sean Leonard performed great just as he has done in both other theatrical movies that I have seen him in. But in the lesser role of the princes evil half brother, Keanu Reeves didn?t appear to be all that special, at times he did look evil but I have never been a big fan of Keanu?s acting. He always sounds standardised a baboon when he opens his mouth. Maybe I am just remembering too much of Bill and Ted?s Excellent adventure?Beatrice and Bene*censored* are adversaries united only in their contempt for marriage. Once the two finally let down their guard and allow their true feelings to blossom... ...and several more keeps you and your emotions on a roller coaster ride. Which is brilliant because we all know that as humans we adhere to stimulation and that is what it does, it stimulates us by incorporating all these e motions and jumping around with them. With the movie it also adds a score and soundtrack as well as camera shots and things that appeals to our senses that much more. At least it does for me.Branaghs interpretation of Shakespeares play leaves the viewer with the impression of a fairy tale in which everyone (except the villain) will live happily ever after. The film is good, but even as I am partial to the movie I do believe to properly appreciate Shakespeares work it is necessary to take the time to peruse the play in a leisurely and wistful manner, and if anything to get the WHOLE play in which the movie did not give.

Motivation other than Money in the Workplace Essay -- Business Managem

The Motivation of Money Many people believe that they are motivated by earning funds, but this is non always completely true as there are many other factors such as the conditions of the determineplace and the need to be appreciated. There are many arguments that are both for and against money macrocosm the key motivator in the workplace. Some argue that being paid a good salary is essential in attracting employees to a contrast and helps to keep them in the job. Although this money can become less of a motivator once the employee has been working for a time and the pay has become workaday and expected. Although money may not be the only motivator in the workplace, it is the basis for the attitudes and behaviours of employees. If an employee feels they are being well paid and rewarded financially for their hard work and any extra effort, then they volition be more likely to work hard and strive to gain these financial rewards. However if an emplo yee is unhappy with the money that they are receiving for their work then it will be very difficult for them to be motivated in their work. One other view that supports money being a key motivator is that people feel that they are highly wanted if they are receiving a decent salary. The higher their salary the more valued they feel within the organisation and so the more likely they are to work hard in their job and be motivated in their work. hard currency awards can be a very effective way of motivating employees to meet targets and excel in their work. McGregors theory of the reasons why people work shows that using these sorts of carrot methods of motivating employees are often successful with the Th... ...ir needs have been met at a lower level before moving upward. For example, a person will not be motivated by love until they have had both their physiological and security needs met. Maslows Model So in conclusion it is not always money that motivates, as although for a lot of people it is money that drives them this is not always the case. Money does however provide people with the ability to energise choices and improve their quality of life. In order to motivate people, you need to find out what their wants are. It may be money, but this may not always be the case. People are motivated by a variety of items. It is the responsibility of the manager to find peoples individual wants. In order to have motivated workers it is important for a manager to try to meet and attempt to satisfy these needs in some way.

Motivation other than Money in the Workplace Essay -- Business Managem

The Motivation of Money Many people believe that they are motivated by earning currency, but this is not invariably completely true(p) as there are many other factors such as the conditions of the fermentplace and the need to be appreciated. There are many arguments that are both for and against money being the key motivator in the workplace. Some argue that being paid a good salary is important in attracting employees to a job and helps to keep them in the job. Although this money can shape less of a motivator once the employee has been working for a time and the pay has become routine and expected. Although money may not be the only motivator in the workplace, it is the basis for the attitudes and behaviours of employees. If an employee feels they are being well paid and rewarded financially for their herculean work and any extra effort, then they will be more(prenominal) likely to work hard and strive to gain these financial rewards. However if an employee is uncheerful with the money that they are receiving for their work then it will be very difficult for them to be motivated in their work. One other view that supports money being a key motivator is that people feel that they are highly valued if they are receiving a decent salary. The higher their salary the more valued they feel within the organisation and so the more likely they are to work hard in their job and be motivated in their work. Cash awards can be a very effective way of motivating employees to meet targets and excel in their work. McGregors theory of the reasons why people work shows that using these sorts of carrot methods of motivating employees are often successful with the Th... ...ir needs have been met at a lower level before moving upward. For example, a mortal will not be motivated by love until they have had both their physiological and security needs met. Maslows Model So in goal it is not always money that m otivates, as although for a lot of people it is money that drives them this is not always the case. Money does however provide people with the powerfulness to make choices and improve their quality of life. In order to motivate people, you need to find out what their wants are. It may be money, but this may not always be the case. People are motivated by a variety of items. It is the responsibility of the manager to find peoples individual wants. In order to have motivated workers it is important for a manager to try to meet and attempt to satisfy these needs in some way.

All over but the shoutin

Over tho the Shoutin In the excerpt from the memoir All Over but the Shoutin , the author Rick Bragg highlights the moment when he paid a final visit to his gravels deathbed. In the excerpt, Bragg briefly described his childhood, saying his fuck off abandoned his wife and sons, and left them to beg, and scrap for food and money. He saw his father as a drunken monster, non caring for anyone but himself. Initially when Bragg arrived he was hesitant.He did not know the person his father had become and worried the erson he still was. Bragg was perplex about the state of his father. His father was physically unrecognizable and was not the while he had remembered. Bragg thought his father would be young, dressed nice and cleaned up very well. This was not the theme. Bragg described his father as the walking dead, damaged and poisoned. He was no longer the man and monster Bragg had despised. Instead, a brittle snake skin of a man.In the end Bragg left with three gifts a rifle, case full of books from his ather and a sense of somewhat forgiveness towards his father. After reading All Over but the Shoutin, there was a lack of acknowledgement father to son. Although his father was fragile, Bragg wanted so badly to question his manhood make him feel the pain he once felt because of him. He wanted his father to say he was sorry and admit to his wrongdoings. Braggs needed his father to acknowledge his mistakes. I sensed Bragg knew a coward could and would never do so.

Hamlet Second Soliloquy

In the last scene of act I village is told by the tactual sensation that his father has been hit by Uncle Claudius, the br early(a) of the deceased king. village once mournful and grim turns revengeful, he promises the ghost to sweep to revenge. But he is tormented with doubts. The ghost has interpreted its toll on crossroads but has non been convincing enough, he understructure non fully trust it given that it superpower likewise be an evil sprightliness pass oning to make him change course, misleading him to murder an innocent man and be damned as village puts it in his expressions full of veneration and anxiety.For such reasons critical point conceives a fancy, he is going to wear a mask of madness, or put on the antic disposition, which settlement considers will make things easier for him Hamlet under the mask of madness intends getting people talk more freely in his presence and thus he top executive easily find the truth about his uncle. But, far from working h is plan turns to be counterproductive. Soon, Hamlet draws even more attention to himself, the royal court is intrigued by his strange behavior and King Claudius summons Hamlets school friends Rosencratz and Guildernstern asking them to go spy on him.Hamlet is suspicious of his own friends and soon conceives a new idea to trap his uncle the reenactment of his fathers murder under the cover of a play called The wrap up of Gonzago. In this particular soliloquy, which comes right after, the listening is waiting to see a more determined Hamlet ready to avenge his fathers murder indeed it has been a while since Hamlet promised to act. Instead we are presented with an even more confused extension, not only uncertain of the world surrounding him but also himself. Shakespeare through the soliloquy paints Hamlets character.Thus, the audience finds out that Hamlet is self-loathing -Hamlets opening words expression of self-disgust O what a rogue and peasant slave am I , Hamlets self-critic is obvious here, he reduces himself to the state of a slave. The Prince must really be mad at himself. Shakespeares choice of the word slave might signify Hamlets inaction, passiveness, just like a slave is chained to his master and incapable of acting against his will, so is Hamlet attached to the shackles of thought and meditation, which impede him from acting, acting freely. -The first layers acting has left Hamlet with a sense of amazement. How come the actor can get himself to cry for something that is imaginary, for Hecuba, dead thousands of years ago and Hamlet, who has real, true reasons to cry proves unable to express his anguish over the loss of his father and the incestuous remarriage of his become can say nothing, no not for a king. -Hamlet suggests here that his inability to express himself is like a betrayal, for Hamlet seems to have forsaken his duty of avenging his father. He calls himself A dull and muddy-mettled rascal, peak Like John-a-dreams, unpregnant of my c ause.The choice of the adjective dull reminds the audience of what the ghost told him in Act I. If Hamlet didnt involve revenge the ghost express that he would be duller than the fat weed/ That roots itself on Lethe wharf. Hamlet seems to be accusing himself of not having the players passion, of not hating Claudius strongly enough, of not loving his father strongly enough. Hamlet is mad at himself not because he hasnt killed Claudius but because he hasnt said anything. So Hamlet instead of pieceting against Claudius dwells on himself.Another character trait is being developed by Shakespeare, one that the audience is very much familiar with since Hamlets first soliloquy where he extrapolates his own grief over Denmark, the world in general. It is Hamlets egocentric side. -Note the abounding number of individual(prenominal) pronouns (I, my, me) used by Hamlet in the soliloquy. It is as if the world revolved around him. When Hamlet shows the actors passion and enthusiasm about his fiber it is only to stress on his own lack of passion. It is as if the actor were a tool that Hamlet makes use of in order to urge himself into action. The soliloquy is presented as a dialogue between Hamlet and himself. The prince is willing to work himself into a state of passion, revengefulness Am I a coward? The use of the future tense at the end of the soliloquy when Hamlet confirms his intentions concerning the mouse trap is also significant, in sense that Hamlet seems like convincing himself that he will in the end do something, that he has a plan, he projects himself into the future trying to influence it Ill observe his looks, Ill tent him to the quick () Ill catch the scruples of the king.At some stage he seems to imagine someone insulting him, Who calls me a villain, breaks my pate across, plucks off my beard and blows it in my face. This helps building his rage which culminates when he remembers Claudius in the following linesBloody bawdy villain Remorseless, treac herous, lecherous, kindless, villain Oh, vengeance Note the emotiveness of the passage, Hamlet breaks into an emotional climax he is outraged at the unprejudiced thought of his fathers murderer.One could imagine him spitting these words out loud with his finger pointed at an imaginary Claudius accusing him of all of his crimes and ultimately stinging him with an imaginary dagger with vengeance in his mind. -But, this is only an imaginary vengeance or Hamlet trying to rehearse in order to get himself in the mood. In the lines that follow Hamlets focus is again back on himself and how pathetic the whole buildup of passion has been What an ass am I.The prince thinks that it is not fit for him to curse himself, as he sound like a fancy woman or a drab or a male whore a scullion. Hamlet here is move on his misogynist character, he cannot tolerate women that in his opinion are all whores, like his beloved Ophelia who betrayed him, or his mother who betrayed his dear father. This nega tive vision, attitude toward women is consistent with Hamlet who in his first soliloquy has already made a sweeping condemnation of the last mentioned Frailty thy name is woman. So the princes main target in this soliloquy is himself.He is concerned with questions related with whether he is a coward or not, whether he should act or continue like a whore unpack my heart with words. We could then ask ourselves what purposes this passage serves in the play apart from characterizing Hamlet. -It has little dramatic value given that there is no action. The tension is released, Hamlet is alone on stage meditating yet again and apart from the bits where he gets over agitated the tension in the passage is kept at the minimum. -The passage has also little value in terms of its contribution to the plot.The plot hardly advances in the soliloquy, the mouse trap idea that Hamlet comes up with at the end has been conceived earlier when he asked the first player to prepare for the Murder of Gon zago right before the soliloquy. -The passage therefore rather confirms the plot and serves as a means of delaying the Murder of Gonzago as well as the eventual Hamlets murder of Claudius. The mouse trap seems to be the first practical idea that Hamlet has ever had since the beginning of the play. It is a relatively reliable plan which would help him find out whether or not his uncle has anything to do with his fathers death.But the audience wonders if this is not simply another excuse for not acting. Indeed, if Hamlet really wanted to kill his uncle the soliloquy would be unnecessary. Hamlets character is pretty ambiguous. On the one hand he considers that his uncle is the most guilty person that has ever existed Bloody bawdy villain, remorseless, treacherous, lecherous, kindles, villain. On the other hand, this enumeration of adjectives that negatively qualify his uncle is counterbalanced by the fact that the ghost might also be a misleading devil, a possibility which Hamlet reco nsiders at the end of the soliloquy.This uncertainty that revolves around Hamlets character brings us back to the central question of the soliloquy is Hamlet a coward? Is he ever going to act? The later developments of the play reinforce the doubt. -It is also important to mention the theme of appearance versus reality that is embedded in the central figure of the soliloquy, that of the actor. For Hamlet the actor stands for conceit, or in other words deception, which Hamlet despises and is disgusted with. In this sense Uncle Claudius, the ultimate liar and deceiver of the play is certainly viewed by Hamlet as an actor as well.Ironically enough, in order to uncover the truth and show Claudius deceptive nature Hamlet resorts to deceit as well by conceiving the mouse trap. For Hamlet therefore deception is a way of revealing the truth, and he certainly views theater as a powerful tool capable not only of putting masks on but also dropping the others. But, what is more striking is Haml ets obsession with the idea that there is often a disconnect between what people appear to be and what they really are is it not monstrous.. .Note the mocking tone with which he relates to the actors job, one filled with admiration as well, given that Hamlet finds himself unable to do the same for his genuine reasons. In the case of his uncle, Hamlet has been told by the ghost that he is a serpent, but the ghost itself under his fathers outfit could also be the devil. Hamlet cannot trust anybody, especially not women who he associates with deception he is disgusted with homo nature that one can smile and smile and be a villain, which is again ironic when Hamlet realizes that in his world lies and deceit gain a necessary part of the daily life.So the passage is the occasion for Shakespeare to further characterize Hamlet, to show his exacerbated feelings towards himself and those who deceive. Two of Hamlets character traits are substantiate in the passage he is self-loathing and eg ocentric. Also, this passage explores one of the fundamental themes of the play the theme of appearance versus reality. Also, Shakespeare through the figure of the actor, and the play within the play demonstrates and acclaims the powers of theater.

Impact Of Satellite TV On Our Culture Essay

1.Satellite TV (Cable TV) impart started its journey in Bangladesh at 1992. Before that, BTV was the dominant medium for about 28 years and had the monopoly power.2.But since the birth of the satellite take in our country, it had a detrimental effect on the society. Gradually the Bangladeshi people argon losing their Bengali norms and traditions and getting used to the contradictory lifestyles.AIM3.The postulate of todays presentation is to orient the class about the mass eff of satellite TV channels on our culture and how we can get over this prob.Scope4.For better understanding and easy assimilation I will discuss the lesson in fol ptsa.Introb.What is Culture?c.Major invites of satellite TV on the pagan domain of a function of Bangladeshd.Some Statistical Datae.Interpretationf.Inferenceg. banish impacts of satellite TVh.Conclusioni.Remedies and Measures that can be interpretedWhat Is Culture?5. Every particular society has its own beliefs, ways of life, art and so forth This belief, customs and tradition of a society they fol is known as culture. Bangladesh has its own culture and traditions also. The culture of Bangladesh is composite and over the centuries has assimilated influences of Hinduism, Jainism, Buddhism, Islam, and Christianity. It is manifested in various forms, including music, dance, and drama, art and craft, folklore and folktale, languages and literature, school of thought and religion, festivals and celebrations, as well as in a distinct cuisine and culinary tradition.Major influences of satellite TV on the cultural area of Bangladesh6.The influence of technological advment is changing the present world very rapidly. Changes are taking place in all spheres of life and ultimately changing the social and cultural belief systems. Satellite TV, being one of the brainchild of this technological development, is having a definite eff on the social and cultural area of Bangladesh.7.Labib(2001) suggests an evidence present the influence on t he women and girls in fds such as fashion and clo and fast diet consumption. For Bangladesh, the significant cultural shift arises due to impact of regional channels of Satellite TV, particularly Indian channels like ZeeTV, MTV, Star Plus, Sony TV are influencing the cultural sphere of Bangladesh. Through watching these, cultural ties and set are getting threatened, specifically materials that favour divorce as a means to solve family problems or programming that includes obscenity, nudity, arousal of sexual instincts, or pre-marital sexual dealing are completely destroying the cultural beliefs and values of Bangladesh.8.Indian movie world Bollywood has a curse on the culture of Bangladesh. Renowned Bangladeshi auth and columnist Muhammad Zafor Iqbal said in his column Upto some years ago I could boast never having seen a hindi movie,but now I cannot. I have to perish by bus from Sylhet to Dhaka, and they show these movies where you are a captive audience. This clearly indicate s about the current picture of how Bangladeshi people are obsessed to the Indian culture, and to what extent these foreign elements has occupied our brains.Some Statistical Data9.A research was carried out on 40 persons in Ctg based on probability take in on 2011 to understand the influence of satellite TV on cultural changes.10.Most of the people think cable TV is the prime reason for the exposure to foreign culture as it is the around aval and easy means. Other means aval are internet, newspapers, magazines, social awareness, general subjoin in the lvl of edn. But they are not considered here.The results of the svy on preference of cable TV channels by the consumers are showed in graphical form as followsFig Preference of Cable Tv conduct among 40 RespondersInterpretation11.From the above bar diagram, we can see that out of 40 persons, the approximately viewed TV channel is Star Plus, fol by Sony TV and thusly HBO. All of them are foreign TV channels with no room for our own mete outing channels.Inference12.Over the last 10-12 years, due to this easy exposure, there is a significant change in the dimensions of culture. Research also shows that consumers preference towards some of the aspects like fashion awareness, type preference have increased. On the other hand, negociate habit, attraction towards traditional songs, reading habit etc has decreasedwhereas in some aspects there is no change.13.Svy carr out on other parameters also showed that the changes in the dimensions which most people think that satellite TV has strong influence upon are increase in the fashion awareness, brand preference, following foreign customs, fast food consumption, interest in foreign music/movie, and for the decrease in the social bondage and good personality traits.14.There is moderate influence upon increase in quality preference, gender balance, and knowledge based society, and decrease in the interest in Bangla movies/music.15.There is less influence on eating out, childrens participation in closing making, and for the decrease in religious bindings.16.A general pattern is observed in the result. People of middle/lower middle cl are affected the most rather than upper cl people possly due to their more exposure to other media/latest technology and greater awareness about changing society.Negative Impact Of Satellite17.Some consumers were asked about the negative impacts of satellite TV on our culture. The respondents were all almost on a common footing and admit that it sure as shooting has some negative impacts like tendency of wearing indecent/short dresses especially by the ladies and the disturbance of take in for the children. They also think there is an increase in the social crime and sexual violence. Some think that it has some influence on the attraction towards smoking/drugs by the young people.Conclusion18.The results of the study shows that over the last 8-10 years, there is clearly a change in our traditional culture and this change is likely to continue. Though all of this change is not due to the effects of satellite TV, this is playing one of the major roles as maximum exposure to theforeign culture is due to this media.Remedies and Measures that can be taken19.Business in todays market is very competitive. To operate profitably in whatsoever business, the focus must be customer oriented. Like any other business, cable TV should also provide the customers with the channels they like most and improve the quality of sound and picture. People who provide the cable broadcast have a great resp towards todays world. Therefore, corrected effort should be made to sensitize the producers and broadcasters for improving the quality of whatever prog they produce.20.At the same clipping local channels should be strengthened and should have a better content. This channels should produce and broadcast quality programs that could help to promote Bangladeshi values and traditions and improve the image of Bangladesh at an international level.REFERENCE21. Effect of Satellite Television on the Culture of Bangladesh The Viewers Perception by Robaka Shamsher & Mohhammad Nayeem Abdullah. European ledger of Business and Management, ISSN 2222-1905 (Paper) ISSN 2222-2839 (Online) Vol 4, No.9, 201222.www.merriam-webster.com/23.http//en.wikipedia.org/wiki/Culture_of_Bangladesh

Essays of Pochury Festival

STORY BEHIND SEPTEMBER 6 BLACK DAY On August 14, 1960, the Naga armament invadeed Assam Rifle out- carry at Thuda (Phor liquidation) in Pochury area. The attack was undertaken by the Eastern Commands 1st Brigade under the command of Major General Zuheto, along with the then 4th battalion of Pochury piece under the command of Lt. Colonel Thorpa. The monsoon was at its height during the time and all major rivers like Tizu, L anye and Thethsii were in full spate. The attack was launched after destroying all the six link up on all the rivers. This was done to stop reinforcement from reaching the besieged army post.As the attack continued into the thirteenth day, ammunitions on both sides were running abruptly and on several occasions the Indian Air Force plane tried to drop relief material and ammunitions exclusively were prevented by the Naga Army. At the aforesaid(prenominal) time the Indian Air Force jet fighters strafed the attackers positions. An Indian transport plane (Dak ota) trying to drop relief materials and ammunitions to the besieged post was shot down by the Naga Army on the 14th day of the siege and crash landed at Zathsii, a paddy field of Meluri village. The Naga Army captured all the 9 (nine) airmen including Flt.Lt. A. S. Singh. This led to a heavy army operation in Pochury area by the Indian Army, who was on a mission to essay and cede the captured airmen, none of whom were ever tortured but were later set free through the Red Cross. In the process of the army operations to rescue the airmen many villages were burnt down and untold atrocities and tortures were inflicted upon the villagers. On September 1, 1960, 6 (six) villagers from Phor village were tortured to death. Their label are Lt. Turachu, liquidation Chief, Lt. Yutsuchu, Pastor, Lt. Chupuchu DB, Lt. Yituchu GB, Lt. Turuchu GB, Lt. Mughazu GB.Again on September 3, 1960 other 3 (three) villagers from Yisi village were beaten to death namely Lt. Mazu GB, Lt. Throchu, Lt. Mazu RP. Two villagers Lt. Yichuhu and Lt. Nyupuchu. from Mokie village were also beaten to death. In Laruri village, Lt. Lingsang was buried alive after severe beating. Lt. Nyukhrusuh and Lt. Rhorupa of Meluri village were beaten severely and after which, their heads were chopped-off. Two villages, namely Tsikuzo and Kuluopfu, were abandoned due to tortures and humiliations meted out by the Indian army. On 6th September 1960, the Punjab Regiment affix at Kangjang village reached Matikhrii village around 10 am.The entire village was encircled in three rings and all the villagers were ordered to gather in one place. Men folk were separated from women and children. All the men were made to keep jumping and do sit-ups, for more than 5 hours in the scorching sun, naked. all signs of tiredness were met with kicks and hits with rifle butts. Then just before sunset, Indian army not satisfied with the punishment meted out to the villagers, rounded them up inside the Village chiefs house and w ere forced to sit heads down like a lamb being lead to its slaughter. Lt.Thah, the then Village chief, knowing what was in store for them bravely volunteered to sacrifice. He stood bravely for the Naga cause even to his last breath and said Its a mans pride. No surrender, no compromise for our birth right. This sacrifice is to protect our freedom. I shall gladly lay down my life for the Naga future generation. Then an Indian army jawan, holding a blunt dao(hatchet) chopped off the head of Lt. Pogholo who was first in the line. Witnessing the brutality and horror in front of their eyes and knowing that all of them were going to be killed, one of the villagers managed to escape the execution forcefully.Then one after another heads rolled down separated from the bodies, and in the event a total of nine lives were lost. Their names are Lt. Thah, Lt. Pogholo, Lt. Mezitso, Lt. Pongoi, Lt. Eyetshu, Lt. Zasituo, Lt. Thitu, Lt. Kekhwezu, Lt. Kezukhwelo. The Indian army did not even allow th e loved ones to perform last rites and rituals for the dead. All the dead bodies were dumped inside the village chiefs house and were burnt down to ashes along with the other houses and granaries.The women and children who had fled to the jungle to evade the horror and torture of Indian Army came back the next morning to get wind the whole village burnt down to ashes. Lt. Thitu who narrowly escaped from the execution was found by his wife Mrs. Rhiitariih with three cuts on the neck, stomach slashed and intestines throw out. He quoted Love, tell my beloved children the sacrifice I have borne for them and I am waiting to die in your lap with a cup of water supply and after drinking, he breathed his last. Another victim Lt. Zasituo, traveling Pastor, was also found almost dead with multiple injuries on his chest and neck.Not long after, he died. Then the horrified women and children with no means simply covered the dead bodies with mud and left for the jungles fearing the Indian arm y might turn up any time. For days together, the survivors wandered in the deep jungle without proper food and shelter. The wild berries and fruits of the jungle were their only food and means of survival. The only comfort and encouragement they could accept to each other was the knowledge of glorious sacrifices made by their men folk. The wild animals and birds of the jungle were their only companions, besides themselves.In extreme conditions of hardships and difficulty, many more extraordinary lives were lost. The Naga Army then came to their rescue. They were given food, shelter and protection. Even today, the nightmares and tragedy of the incident still remain fresh in the mind of the survivors. In this long sprinkle and exodus, the survivors entered Burma and stayed with the Naga Army in their camp at Sathi where Gavin Young of London Observer met them in the later part of 1961. In his book Indo-Naga War, page 29-30, he wrote that when he met the survivors, there were only a pathetic thirty people.They spent their lives in the wilderness for two and half years. In 1963, village re-establishment took place but normal life could not be restored for many years. The people of Pochury have ever since observed 6th September as BLACK DAY in memory of all those who had suffered and laid down their lives for the greater glory and freedom of the Nagas. It is a day of sadness and a day to acknowledgement of the sacrifices made by the martyrs. Khuosatho Nyusou, President, P1ochury Hoho Kohima (PHK). (Courtesy Pochury Students Union. )